Software Tutorial,download,manual - http://www.caxsoft.net/

THE_FOUNDRY_MARI_V3.0V1_win64&Linux With MARI, 3D painting has never been more fluid or flexible. Choose from MARI’s selection of intuitive preset brushes, including a 'healing' brush for seam removal and duplication of texture detail and a ‘slurp' brush for smearing and dragging texture; import and work with familiar ABR Photoshop brushes; or create any number of custom brushes. There’s even a vector brush for creating and edit vector maps. Whether you’re working with 3D projective paint or flat UV paint, MARI lets you focus on your creativity. MARI lets you paint through images or gradients to apply external detail to your model. Color corrections and filters can be applied as adjustment layers or directly to the paint you’re working with, and previewed in real time. You can even apply a color grade as you clone to better match the area you’re painting. An advanced channel masking engine lets you control where paint is applied by painting a channel, using fractal noise, or by using surface attributes such as edges, depth, backface and even ambient occlusion. Texture mapping MARI adopts an extremely flexible approach to texturing. Cube, spherical, and triplanar projectors let you quickly setup a scene.You can work with standard or multi-tile UDIM UV layouts, including overlapping UVs so can reuse the same texture across 3D models in any shared UV space, while tiled textures with masking make it simple to quickly cover large areas on models. Optionally, a UV-less workflow (PTEX) lets you adjust texture size on a per-face level, allowing for near-limitless detail, and letting you put detail where it’s most effective. Textures can be exported from channels as individual layers, flattened files or as layered PSDs, for use further down your pipeline. A Texture Transfer function also lets you transfer textures between two different models, without the need for matching topology or UVs.

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